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Archive for the 'Play' Category
Play by Henrietta Diana de Guzman | January 10th, 2010
MGA TAUHAN:
Maggie Dela Victoria: Labing-siyam na taong gulang na student Nurse. Maganda. Makapal kung mag make-up.
C.I. Leon De Lima: Clinical Instructor nila Maggie at Rhea. Boyfriend ni Liza. Naka-eyeglasses.
Liza Mandacawan: Girlfriend ni Leon. Pasyente sa bed A.
Nurse Tan: Ang NOD (Nurse On Duty sa eleven to seven shift) sa Delivery room
Dr. Ruiz: Ang magpapaanak sa mga pasyente.
Rhea Valera: Matalino, ngunit pangit na classmate ni Maggie.
Patient 2: Pasyente sa bed B
Patient 3: Pasyente sa bed C
Lunan at oras ng dula: Gabi. Makalat ang tatlong hospital beds sa Delivery room ng Davao Medical Center. Lahat ay busy sa pag-aasikaso ng kani-kanilang endorsement call. Si Doktor Ruiz, Nurse Tan, at C.I Leon lang ang on duty. Pupunta ang studyanteng si Rhea sa bed B at uumpisahan ang pag-assess sa kanyang pasyente. Si Leon naman ay uupo sa Nurse station table at uumpisahang i- checheck ang Student Nurse Records. Biglang bubukas ang pintuan. Mahingal-hingal na dadating si Maggie.
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Play by Nonoy Narciso | December 6th, 2009
Panahon: Gabi. Sa kwarto. Sa isang bayan. Dalawang matanda. Sila na lang dalawa ang naiwan sa bahay, sa kanilang sariling bahay. Ang mga anak nila’y nag-sarili na rin at nakapag-asawa na. Isang panahon sa isang sulok. Sa isang takdang panahon.
Mga karakter:
Lola Eneng (tipikal na matanda, ang damit duster na may long sleeve na nakasapaw at may belo para sa lamig)
Lolo Iniong (tipikal na matanda, naka pajama, naka sando at t-shirt sa loob at nakasapaw ang polong suot; may salamin at may dalang tungkod, at may tuwalya sa balikat).
Unang maririnig ang plawta pagdaan ng 16 counts. Papasok ang gitara (16 counts). Nakapwesto na si Lola Eneng at Lolo Iniong sa gitna ng entablado. Ilaw naka-dimmer lights, spot light (yellow at blue) over the head ang ilaw. Pag middle light na , makikita na sila ng tao. Maguumpisa na sa pagtimpla ng kape si Lola Eneng.
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Play by Aaron Jalalon | October 4th, 2009
Characters:
Teodor/Teddy – middle-aged guy, meat vendor and butcher
Ardong – meat butcher and delivery man
Lydia – meat vendor and mother of Ji-ji
Ji-ji – daughter of Lydia, twenty-two years old
In a market. Two meat stalls face each other on stage. A space in between serves as the pathway. One yellow light bulb hangs in each stall. Lydia and Jiji’s stall is on the left side. On their table: a weighing machine on the right side, chopping board at center, meat slabs. Jiji stands behind the table slicing meat. On her left side, Lydia spinkles water on the sliced meat slabs. Ardong stands in front of their stall putting meat slabs on the table from his big plastic container. Teddy’s table is on the right side. His table is bare except for the wooden chopping board and the butcher knife.
It is four-thirty in the morning.
Teodor ties the apron around his neck. Afterwards, he ties a towel around his head. He pours water on the surface of his table and wipes it with a clean rug. His voice has a clear accent of Bisaya, always mispronouncing the words.
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Creative Nonfiction, Play by Rowena Rose Lee | May 17th, 2009
Everyone assumes that writing is such a romantic occupation. I most certainly did—I wished with all fervent hope that I would eventually walk the path that Edgar Allan Poe, Joseph Conrad and Mary Shelley took when they made it through the annals of literary history.
In my youth, I had imagined writers cloistered away in their lavish Victorian-inspired home, dark with velvety crimson curtains and thick tapestries. Quill in hand, parchment under their elbows, these writers would look out into the vast open countryside seeing not the green landscape, but characters—fictional characters, characters of their own creation—speaking, weeping, and eventually floating back to the paper, becoming wisps of breath fashioned into the writers’ great languid scripts where both characters and writers would eventually be immortalized in written text.
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Play by Yas Ocampo | September 28th, 2008
This play was performed last February at the UP Mindanao, with Maureen Ronquillo as Veronica and Erika Navaja as Apple.
Cast of Characters:
Apple, 22 – a call center agent
Veronica, 42 – Mr. Sacks’ wife
Setting: The stage is divided into two: on one side, a table where Apple is stationed (her office desk in Davao), on another a couch and a coffee table (Veronica’s house in the United Kingdom.) It is daytime on Veronica’s side of the set and nighttime on Apple’s. Both of them are seated on their side of the stage as the play begins.
(Apple starts making a call through her cellular phone. The pauses in between her sentences must be presumed to be answered by an absent “other line.”)
Apple: Hey babe – wait, sino to? Dan? Girl ka ba? Boy. Dan. Good. Uhm. Kay Jun nga. Uhm, kasama mo ba siya, no wait (snickers), silly me, (British accent) of course kasama mo siya, duh, phone niya to. (trying to flirt with Dan) hey listen, Dan, could you be an angel and give the phone to Jun please? What do you mean he’s in the shower? Oh, he’s coming, coming out now? Oh, O.K. Kaw naman, you’re such a joker ha, naked siya ka jan. Huuuy, Jun. Sino ba yun? Ang lambot magsalita! Wala lang. (snickers.) Kumusta? Hey, listen, you free mamaya, I mean, tomorrow, when I get off work? I mean, I think I still have energy for a little, you know, breakfast. Well, you know, wala lang, I kinda miss you na kasi. I know, I know. Well, you know – ano ba to. Friendly breakfast – naman. Duh, I got over you na kaya! Treat ko. Sweldo ko kasi ngayon. I know this little place where –. Oh, okay. Oh, you’re going out tonight. Sa MTS? Kasama si Dan. Kaw talaga, tulad mo yung friend mo ah, lumalambot na ang words. Pwede sama? Joke lang. I have to work pa eh, I mean, unless you want me not to. Oh. Ba’t naman di pwede? Ah, ganon. Haaay. Wala lang, I’m so bored. Shift starts in a few minutes. But, wala lang. Huy, ang sweet niyo naman jan. Kayo na ba? Joke lang… Uy, alam mo ba – there was this one time, I was waiting for a jeep home, tapos yun, it was around 3 a. m., tapos yun, a guy there, he was asking for my number, tapos. Hello? Jun? Hello. Jun.
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Play by Guillermo Dagohoy | May 4th, 2008
Magdudula
Abogado
Doktor
Maestro
Enhinyero
Negosyante
San Miguel
San Pedro
(Mosulod si San Miguel nga nagdala sa timbangan ug si San Pedro nga nagdala og yawi.)
San Miguel: Karon Pedro, kay kita man ang gihatagan og gahom sa paghukom sa mangamatay, pinaagi sa ilang mga nabuhat sa kalibotan, ato gayod kining matngonan pag-ayo. Dili mo ablihan ang pultahan sa Langit kon dili ko pa matimbang ang ilang mga gibuhat sa kalibotan. Timbangon nato ang ilang mga maayong buhat ug mga daotang buhat. Kon bug-at ang daotang buhat, ato silang ibanlod sa Impyerno. Kon bug-at ang ilang maayong buhat kay sa daotan, ato silang pasak-on sa Langit. Kon pareho ang gibug-aton sa daotan ug maayo, ato silang ibutang sa Purgatoryo.
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